PURE LOVE, ev. ref. Kirche, Radevormwald, 2010

After being invited to this show and allowed to work with the full space I had to paint a new body of work with reference to the architecture and the deep silence in this church. I decide to work direct on the stone floor with red and golden pigments.
After being invited to this show and allowed to work with the full space I had to paint a new body of work with reference to the architecture and the deep silence in this church. I decide to work direct on the stone floor with red and golden pigments.

Ev.-ref. Kirche, Radevormwald; floor plan with final draft
After being invited to this show and allowed to work with the full space I had to paint a new body of work with reference to the architecture and the deep silence in this church. I decide to work direct on the stone floor with red and golden pigments.
2010.10.23, Opening PURE LOVE/Premiere 1TonKeinTon, Johannes S. Sistermanns (left), composition and voice
unbound pigments on floor, diameter 5,66 m, Ev.-ref. Kirche, Radevormwald, 2010
And as all of my paintings do, they change colour depending on the situation of light and the position as well as movement of the visitors in front of them.
PURE LOVE, 2010, Ev.-ref. Kirche, Radevormwald, 2010